The Useless Practice
Play serves no external purpose; examining why adults eliminated the useless reveals what got sacrificed to productivity culture.
NasPlay is radically useless: it produces nothing marketable, generates no résumé lines, creates no status. Yet cultures with vibrant adult play traditions (Sufi dervishes, medieval court jesters, village festivals) recognized that uselessness itself has profound value. The modern elimination of adult play correlates precisely with total subsumption of life under productivity logic. If it doesn't generate output, status, or measurable progress, adults increasingly eliminate it. Hodja's tradition celebrates uselessness: his stories serve no didactic purpose, his practices generate no product. Yet from this uselessness emerges genuine wisdom and joy. The examined joyful life requires defending useless practices against instrumental colonization. Play reminds adults that not everything needs justification through utility. Restoring adult play means explicitly protecting spaces where nothing gets accomplished, where time passes without conversion to value, where presence itself suffices. This isn't laziness but deliberate refusal of productivism. The radical uselessness of play becomes precisely its value: it offers rest from the exhausting demand to justify existence through utility, returning adults to intrinsic worthiness independent of output.
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